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All Projects/Neue Nationalgalerie Exhibition Pavilion
Berlin, Germany
Cultural & MuseumsArch: Mies van der Rohe (Preservation Architecture: David Chipperfield Architects)

Neue Nationalgalerie Exhibition Pavilion

Miesian steel and glass clarity illuminated with absolute optical concealment

LOCATIONBerlin, Germany
COMPLETION2025
ARCHITECTMies van der Rohe (Preservation Architecture: David Chipperfield Architects)
LIGHTING DESIGNLichtvision Design Berlin
GROSS AREA2,850
CEILING DATUM8.4 meters
Section 01 / Spatial Context

Architectural Framework

The upper pavilion of the Neue Nationalgalerie is a temple of absolute structural purity: an 8.4-meter-high clear glass perimeter enclosed under a monumental 1,200-ton steel roof grid suspended on only eight cruciform steel columns. There are no interior weight-bearing walls—only two free-standing Roman travertine service cores. Any lighting intervention had to honor the strict 3.6-meter square modular ceiling cassette grid established by Mies van der Rohe.

Section 02 / The Lighting Challenge

The primary challenge was two-fold: First, from the exterior streetscape at night, the glass pavilion must remain an unobstructed lantern of pure spatial volume. Conventional luminaires produced catastrophic mirror reflections on the 8.4m clear glass façade, blinding viewers outside and destroying the visual connection to Berlin’s Kulturforum. Second, the 42-meter travertine core walls required absolute vertical illuminance uniformity (ratio < 1:2) to display large-format modern canvases without scalloping or hot spots on the upper frieze.

Optical & Glare Compliance
Vertical Uniformity RatioCIBSE Heritage Standard < 1 : 3.0
1 : 1.8
Average Glare IndexMuseum Darklight Class < 10
UGR 5.8
Color Fidelity TM-30Conservation Grade > Rf 95
Rf 98 / Rg 101
Connected Power DensityASHRAE 90.1 Allowance 8.5 W/m²
4.2 W/m²
Light Field Distribution38° Beam
I₅₀ FWHMASYM 38°IES LM-63 // FWHM 38° // WALLWASH

Asymmetric free-form micro-prism distribution biased 25° toward the vertical travertine plane.

Zero scallop artifacts; luminance delta from ceiling datum to floor line maintained within 15%.
Section 03 / Luminous Strategy

The Concept of Luminous Absence

Lichtvision conceived a strategy of "Luminous Absence": light without visible sources. By embedding asymmetric linear wallwashers into the exact recessed reveal seams of the 3.6m modular roof cassettes, the light origin vanishes entirely from normal observer sightlines. The travertine core walls become the primary luminous field of the pavilion, bathing the interior in soft secondary reflected light while the ceiling remains quiet, dark, and monumental.

Optical Methodology:

Deployed KINETIC G-WALL asymmetric micro-prismatic optics offset at exactly 1,200mm from the vertical stone face. The compound PMMA micro-prism redirects 82% of luminous flux downward at a 25° forward cant, ensuring the uppermost 150mm of the wall receives identical illuminance to eye level. To highlight free-standing Giacometti bronze figures, STYLOS O-12 darklight pinholes were installed at grid intersection nodes, utilizing high-purity quartz TIR lenses with a 55° physical cutoff cone. Even when energized to 1,200 lumens, the aperture luminance appears completely pitch black from outside the beam.

Realized Spatial Result:

The museum achieved an extraordinary UGR average of 5.8 across the 2,850m² hall. Perceived vertical boundary uniformity exceeded 1:1.8, creating a calm, weightless atmosphere where modern masterworks float in pure daylight-balanced color rendering (TM-30 Rf 98, Rg 101). Glass reflection index was reduced by 94% compared to the pre-renovation installation.

Section 04 / Architectural Imagery

Spatial Documentation

Photographs demonstrating vertical boundary illumination, texture relief, and source concealment.

South-West Elevation across Kulturforum

The universal hall at twilight: travertine vertical cores washed uniformly without perimeter glass reflections.

Exhibition Core Plinth

Central bronze sculpture under 12° STYLOS O-12 darklight accentuation with UGR < 6.

Perimeter Glazing Detail

Sub-grade evening transition: exterior glass boundary dissolves into transparency.

Section 05 / Engineering Implementation

Darklight Engineering in a Monumental Glass Envelope

Custom bracketry was precision-machined to integrate directly into the historic 3.6m steel cassette reveals without penetrating heritage steel flanges. Drivers were remotely located 45 meters away in sub-grade basement galleries to eliminate thermal expansion noise within the resonant steel roof structure.

Technical Schematic Reference

Asymmetric Ray-Trace Vector & Facade Reflection Angle

Detailed CAD sections and ray-tracing diagrams available in the Phaos Specification portal.

Explore Calculators
Section 06 / Applied Luminaires

Instruments Deployed in this Project

Click any instrument to view its comprehensive digital monograph, 3D BIM, and IES files.

PHS-KG40-002Linear Wallwash

KINETIC G-WALL

Role: Continuous 42-meter monolithic wash along east and west travertine cores.

Mounting: Trimless Plaster-in SlotOptic: Compound Asymmetric PMMA Micro-PrismBeam: 38°Delivered: 2400 lmDeployed: 84 Units
PHS-ST12-001Recessed Downlight

STYLOS O-12

Role: Surgical focal key lighting for central sculptures and pedestal artifacts.

Mounting: Trimless Plaster-inOptic: Fused Quartz Collimator with Black-Hole CutoffBeam: 12°Delivered: 1200 lmDeployed: 112 Units